In the art school classroom, students declared the exhibition and work they would present. Caydance sorted them into a series of duets in which one student would present their experience of The Cubist Imprint at the San Francisco Museum of Modern Art and another student would discuss the Revealing Conversations exhibition at the Richmond Art Center. A free for all would occur in the hour before lunch. "The Raiders versus the Chiefs in October 1986? " Griff had commented.

First, from The Cubist Imprint, a printmaking major would review The Dinner Table by Jacques Villon (1913, Drypoint). He was paired with a feminist writer, who would talk about Judy Malloy's its name was Penelope (1989 BASIC), currently in the Revealing Conversations exhibition. Caydance was entranced by how in very different ways, these works broke the content into segments.

Suddenly, there was a knock on the classroom door. Yuri stood up, his hand on the gun-shaped bulge in his pants. In the doorway stood a woman. She was wearing faded blue jeans topped with a pink tee shirt. Silky brunette hair swept down her back. "I'm Natasha, an Art History Lecturer. I can't find the color xerox. Wow. Is that a SKA Leningrad shirt?" She was mesmerized either by Yuri's jersey or by the way it fit his muscular masculine torso.