She picked up the envelope. Opened it carefully. The photograph that the envelope contained was wrapped in watercolor paper. She removed the paper.
In the photograph, a familiar man, his brown hair tinged with gray, looked out -- past a thin white line of breaking waves -- to the flat bluegreen ocean.
Beside him on a portable wooden easel was the painting of Utah Beach that, now framed in gold, hung in the studio/workshop. In the painting, the beach was not seen, and no boats were sailing across the horizon.
Despite visible scars, his still handsome face was achingly familiar.