"You have a copy of that photo here, and you haven't shown it to me?" Griff said to Caydance, Monday evening in her studio.

"Your mind wasn't on it."

"I'm not sure that it was my mind that wasn't on that photograph, but now I can think of nothing but seeing a photo that was hidden in back of the painting of Utah Beach. That, and the game film exchange tomorrow with Larry, the Coach of the Diablo Mountain Wolves -- and, before we walk to Chinatown for dinner, another kiss and a beer.

From the folder -- which also contained prints of photos she had taken of the studio/workshop; of retired Art Librarian, Kendrick MacGillivray; and of Susanna -- Caydance removed a xerox copy of the photograph she found in an envelope concealed in the back of the painting of Utah Beach.

In the photograph, beside a venerable wooden easel, a middle aged man looked out to sea, as if he saw something that was no longer there. His clearly once handsome face was disfigured by evident scars. Propped on a rock beside him were wooden crutches. On the easel, the watercolor painting, that now hung on the wall of the studio/workshop, was unfinished.

"Ted Treharne?"

"I don't know, but I think Susanna will."

"If so, then the things you told me this morning -- the existence of a testament that left the hotel to Ted and the possibility that Ted was the Father of Susanna's son -- are relevant."

arrow "And, so is the disappearance of Susanna's letters from Ted."